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7718 Music In Popular Culture
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Outline
I plan to examine and deliberate the following aspects to highlight the elements incorporated the paradigm of stardom in pop music
It is imperative to examine the intricacies involved in the process of stardom and striking the hearts of the audience to sustain a lasting bond of affinity and reverence.
A critical appraisal of the matters illustrates stardom is not merely an economic process.
To prove the argument, it is essential to examine the structural and economic foundations of stardom comprehensively and highlighting the primary objectives which make a star close to the heart of the people.
The very existence of the star is conceived as a series of visible and discrete relationships that explain the career of the star.
Stardom is a subjective authority generated by the convergence of popularity, expertise and achievement. For instance, ideologies of self-expression and authenticity are critical in popular music to assert significance on the individual personality of the star.
Stars are crucial to shape the ventures in the music market predictable. Meanwhile, it is not the only element constituting a star and the process of stardom.
Case studies These starts constructed a potential engagement with the audience by either exploring innovative avenues in music or reinventing personal image. The progress of their musical careers manifests instability to cultivate the cultural value of their musical texts.
Since the audience is vital stakeholders in sanctioning and entitling stardom to a musician, it becomes key to resonate with their culture, inclinations and strike them with a distinguished musical identity.
The cultural context and the structural basis of stardom play an instrumental role while shaping the future of a pop star in the industry.
It is worthy to underpin that music is not the only substance required to cultivate the strong bond of affiliation with the audience.
The 2 books published relevant to my topic are
Lady Gaga and Popular Music
Ethic and Cultural Identity in Music and Song Lyrics
The book Lady Gaga and Popular Music were essential to be chosen to collect information and have an in-depth analysis of the cultural influences involved throughout the journey of stardom of Lady Gaga. Since the essay comprises a case study on her life, the significance of the book based on her enhances further. The book glorifies the essence of Lady Gagas output manifested in self-consciously pop culture tradition. The book was found on the internet while searching for specific instances and the cultural impact of events on Lady Gagas life. These instances will contribute potentially toward the essay as it explores the stardom and impact of cultural instances in establishing relations with the audience and fans.
Ethnic and Cultural Identity in Music and Song Lyrics is the other productive book to supplement the resources used in the essay. The book was found on the internet while searching for books related to culture and identity in the musical culture. The critical cultural and ethnic identity reflected in songs, lyrics and poetry is comprehensively assessed in the chapters of the book. These songs are an explicit illustration of the cultural, national and ethnic identity established by the people. Moreover, these identities and affiliations prove to be the root cause of peoples allegiance towards the stars. Thus, the book will potentially assist to strengthen the research on elements that combine to make stars and enhance the relationship of the public with the stars.
The 2 journal articles chosen for the essay are
The Structural Functions of Stardom in the Recording Industry
So You Want To Be a Rock N Roll Star
The first journal article critically examines the economic structure of stardom, its functions and the ideological basis of stardom. The social structure of stardom is deliberated comprehensively by underpinning the approaches of stardom in contemporary recording history. Besides, the research article is essential to distinguish between the record labels of stars and the changing power balance which have implications on the nature of music stardom. To discuss the significance of the research article for the essay, stardom submerges the processes of commodification in the production of popular music. It is worthy to highlight that the research article is imperative to construct a personal narrative and polish the opinion on the intricacies of stardom. Stars are deemed by the public and stakeholders as the primary faces of the campaigns and anti-privacy campaigns. The rhetorical transformation of the music from the industry to culture indicates the broader ideological importance of stardom in the industry.
The second research article discusses several case studies of popular music stars and sheds light on the impact of cultural instances on their stardom. In essence, stars are defined as persons possessing the unique talent and distinctive culture to influence the public and assume an instrumental role in changing the norms of stardom. However, it is not only confined to the music industry and can be explicitly seen in television, sports and popular music. One of the crucial element mentioned in the research journal is the account of the pop star Lady Gaga and the manner wherein she exploited social media, Twitter and Facebook to communicate with the fans. The public allegiance with the popular star is a manifestation of her enticing character and the unique way of striking the hearts of the public in a particular cultural context.
The 2 sources available on the internet are
Fans or Friends Seeing social media audiences as musicians do
MusicianWay.com
The first source offers a comprehensive account of the influence of social media on musicians and vice versa which ultimately manifests in accelerating the stardom of musicians and singers. Throughout the last decade, the online interaction between the fans and musicians have dictated the norms of stardom and the cultural elements associated with it. In addition, the age factor contributes potentially to manage the audience profoundly and strengthens the relationship between the musicians and the fans. A critical appraisal of the article reflects it will contribute immensely towards adding rational substance in the essay. The relationship acquired with the audience in the paradigm of stardom is not limited to the interaction, interaction and liking. Instead, the bond of mutual respect and moral good for one another establishes the grounds of voluntary relationships and equality.
In the second source, the author advances to discuss the significance of successfully establishing a strong emotional presence in front of the audience. The fundamental object strengthening the elements of stardom is based on giving. For instance, the performers give and the audience absorbs which later becomes a mutual occurrence to lift the interaction to higher planes. An assessment of the primary theme expressed in the brief article reflects it can assist to shape the argument on the aspects of stardom pertinent to musicians. In its true form, music is a gift surrounded by gif-wrapping of affinity, the importance of deriving strong spirits and causing the audience to cultivate the virtues of that gift in true letter and spirits. None can deny the argument that stardom is not an entity acquired through vigorous campaigning and producing the norms to uplift the pop culture. Instead, it is accomplished on the basis of giving from the heart and expecting nothing else than generosity in return.
Music in Popular Culture
The universe of pop culture is populated by the stars and they lie at the very heart of pop culture to embody glamour and intensity of the pop culture. These stars are critical to assist the generation of popular music by offering a focal point for the communities and individuals to interpret the authorial intent. Irrefutably, the establishment and history of popular music are fuelled by stardom and the music stars. It is imperative to examine the intricacies involved in the process of stardom and striking the hearts of the audience to sustain a lasting bond of affinity and reverence. However, there exists a contentious debate whether or not the process of harnessing stardom is only manifested in economic gains and is devoid of constructing a potential relationship with the audience based on cultural aspects. A critical appraisal of the matters illustrates stardom is not merely an economic process. To prove the argument, it is essential to examine the structural and economic foundations of stardom comprehensively and highlighting the primary objectives which make a star close to the heart of the people.
To begin, it is necessary to assimilate the elements which formulate the essence of stardom. In contemporary society, a star is understood by three dominant traits comprehension of the structuralist, subjectivist and poststructuralist perception of the star. In the subjective accounts, the focus is on the individual star whose status is identified by her/his inherent talent and traits ADDIN ZOTERO_ITEM CSL_CITATION citationIDfJgZjl1H,propertiesformattedCitation(uc0u8220The Structural Functions of Stardom in the Recording Industry,uc0u8221 n.d.),plainCitation(The Structural Functions of Stardom in the Recording Industry, n.d.),noteIndex0,citationItemsid398,urishttp//zotero.org/users/local/h6KbaPMu/items/HNZ8QGMB,urihttp//zotero.org/users/local/h6KbaPMu/items/HNZ8QGMB,itemDataid398,typewebpage,titleThe Structural Functions of Stardom in the Recording Industry,URLhttps//www.researchgate.net/publication/263211686_The_Structural_Functions_of_Stardom_in_the_Recording_Industry,accesseddate-parts2019,4,21,schemahttps//github.com/citation-style-language/schema/raw/master/csl-citation.json (The Structural Functions of Stardom in the Recording Industry, n.d.). The very existence of the star is conceived as a series of visible and discrete relationships that explain the career of the star. The second approach the sketches the individual analysis to comprehend stardom as a coherent system which is influenced by and influences the peculiar social structure. In the third approach, the textual nature of the celebrity is examined. Stars are perceived as tools for media and a source for the consumers and producers to extend their negotiation. Stardom ought not to be merely deemed the aggregation of biographies of various stars. Stardom is patterned and embodied in the structural configuration of elements as ethnicity and gender. It is, thus, imperative to establish a profound awareness of the patterned similarities and the specificities of the individual stars.
In addition, stars should be distinguished from celebrities by underpinning their accomplishments in a particular field. Stardom is a subjective authority generated by the convergence of popularity, expertise and achievement. For instance, ideologies of self-expression and authenticity are critical in popular music to assert significance on the individual personality of the star ADDIN ZOTERO_ITEM CSL_CITATION citationIDe45w4DLJ,propertiesformattedCitation(Kennedy and Gadpaille, 2017),plainCitation(Kennedy and Gadpaille, 2017),noteIndex0,citationItemsid404,urishttp//zotero.org/users/local/h6KbaPMu/items/R98VIFEH,urihttp//zotero.org/users/local/h6KbaPMu/items/R98VIFEH,itemDataid404,typebook,titleEthnic and Cultural Identity in Music and Song Lyrics,publisherCambridge Scholars Publishing,number-of-pages268,sourceGoogle Books,abstractEthnic and Cultural Identity in Music and Song Lyrics looks at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals. Charles Taylor says that it is through story that we find or devise ways of living bearably in time one can make the same claim for music. Inexorably tied to time, to the measure of the beat, but freed from time by the polysemous potential of the words, song rapidly becomes our song, helping to cement memory and community, to make the past comprehensible and the present bearable. The authors of the fifteen chapters in this volume demonstrate how lyrics set to music can reflect, express and construct collective identities, both traditional and contemporary.,ISBN978-1-4438-9620-7,noteGoogle-Books-ID NV0pDwAAQBAJ,languageen,authorfamilyKennedy,givenVictor,familyGadpaille,givenMichelle,issueddate-parts2017,6,20,schemahttps//github.com/citation-style-language/schema/raw/master/csl-citation.json (Kennedy and Gadpaille, 2017). None can stipulate the definite time required to cherish the prestige of being called a star and in reality, it is accomplished by persistency in the popular music culture. When the cultural interpretation of a popular music performer can make him a star. This, by far, is the acceptable and rational apprehension of becoming a star. Stardom is not a qualitative rather a quantitative existence. It is imperative as a wide range of literature on cultural industries and stardom has been generated from the framework of cultural economics. The economic structure of stardom outlines important in features in two primary ways. Stars are exploited as a potential mean to redistribute the financial challenges related to releasing and producing a record. Besides, stars are crucial to shape the ventures in the music market predictable. Meanwhile, these are not the only elements constituting a star and the process of stardom. If stars advance to manifest acts which rely excessively on commercialization, they will certainly struggle to sustain a lasting base of fan following. In this context, a critical analysis of the cultural and structural events associated with the formation of some stars is necessary to further the argument profoundly.
Stefani Germanotta, better known by her stage name Lady Gaga, is a pop star conceived in the web age. She has exploited the compass of the web and internet based life, continually speaking with her devoted and broad fans (the little beasts) through Facebook and Twitter ADDIN ZOTERO_ITEM CSL_CITATION citationIDrjT3Hb5X,propertiesformattedCitation(uc0u8220r6epkvpuqmd01cg98vrk5iu860---Stars and Auteurs Shuker Roy.pdf,uc0u8221 n.d.),plainCitation(r6epkvpuqmd01cg98vrk5iu860---Stars and Auteurs Shuker Roy.pdf, n.d.),noteIndex0,citationItemsid397,urishttp//zotero.org/users/local/h6KbaPMu/items/NBTUVDDN,urihttp//zotero.org/users/local/h6KbaPMu/items/NBTUVDDN,itemDataid397,typearticle,titler6epkvpuqmd01cg98vrk5iu860---Stars and Auteurs Shuker Roy.pdf,URLhttp//www.docs.writing4money.com/uploads/orders/r6epkvpuqmd01cg98vrk5iu860---Stars20and20Auteurs20Shuker20Roy.pdf,accesseddate-parts2019,4,21,schemahttps//github.com/citation-style-language/schema/raw/master/csl-citation.json (r6epkvpuqmd01cg98vrk5iu860---Stars and Auteurs Shuker Roy.pdf, n.d.). She makes a big appearance her recordings on YouTube and is the most downloaded craftsman ever. As driving business magazine Forbes saw in November 2009 Woman Gaga isnt the music business new Madonna. She is its new plan of action. While a few records see Gaga as moving in a year and a half (2009 2010) from being an obscure entertainer to being the greatest star on the planet, her life offers an explicit illustration of the challenging route of stardom. Gaga, who started adapting piano at age four, had been melody composing and performing since secondary school and in New York clubs since 2005. Early execution cuts on YouTube, exhibit her officially clear ability in musicianship, vocal capacity and telling stage nearness. Personal records and interviews stress her drive and assurance since the beginning to succeed in the music business. In reality, from various perspectives, Gaga embodies the customary course to success, based on diligent work and live execution as outlined above ADDIN ZOTERO_ITEM CSL_CITATION citationID9OF5e5e9,propertiesformattedCitation(Iddon and Marshall, 2014),plainCitation(Iddon and Marshall, 2014),noteIndex0,citationItemsid406,urishttp//zotero.org/users/local/h6KbaPMu/items/AHFNQ64Z,urihttp//zotero.org/users/local/h6KbaPMu/items/AHFNQ64Z,itemDataid406,typebook,titleLady Gaga and Popular Music Performing Gender, Fashion, and Culture,publisherRoutledge,number-of-pages480,sourceGoogle Books,abstractThis book is a multi-faceted, interdisciplinary examination of the music and figure of Lady Gaga, combining approaches from scholars in cultural studies, art, fashion, and music. It represents one of the first scholarly volumes devoted to Lady Gaga, who has become, over a few short years, central to both popular (and, indeed, populist) as well as more scholarly thought in these areas and who, the contributors argue, is helping to shapedirectly and indirectlythought and culture both in the fields of the scholarly and the everyday. Lady Gagas output is firmly embedded in a self-consciously intellectual pop culture tradition, and her music videos are intertextually linked to icons of pop culture intelligentsia like Alfred Hitchcock and open to multiple interpretations. In examining her music and figure, this volume contributes both to debates on the status of intertextuality, held in tension with originality, and to debates on the figuring of the sexualized female body, and representations of disability. There is interest in these issues from a wide range of disciplines popular musicology, film studies, queer studies, womens studies, gender studies, disability studies, popular culture studies, and the burgeoning sub-discipline of aesthetics and philosophy of fashion.,ISBN978-1-134-07994-0,noteGoogle-Books-ID zLJ9AgAAQBAJ,shortTitleLady Gaga and Popular Music,languageen,authorfamilyIddon,givenMartin,familyMarshall,givenMelanie L.,issueddate-parts2014,1,3,schemahttps//github.com/citation-style-language/schema/raw/master/csl-citation.json (Iddon and Marshall, 2014). Lady Gaga is not just an exceptionally fruitful contemporary account and visiting specialists, she is the heart of the stardom inside the more extensive popular culture. She keeps on being included in various music and style magazine spread stories and shows up on driving syndicated programs and at music and design grants. Her life underpins the struggle and passion necessary to accomplish stardom and irrefutably, financial incentive never remained her motive to acquire a tremendous fan base.
Similarly, a scintillating star with verifiable ability, Miley Cyrus is one of the rare superstars that has figured out how to endure stardom at an early age and rise with a passionate presence. Miley Cyrus was born on November 23rd, 1992. She demonstrated a proclivity for music at an extremely youthful age and before her tenth birthday celebration, she had verified that she needed to be a performing artist. Around the season of her eleventh birthday celebration, Cyrus endeavoured and won the job of Hannah Montana in the Disney Channel arrangement. The show was a tremendous hit and depended vigorously on Cyrus abilities as an entertainer. In the show, Cyrus would sing, move, and act her approach to high schooler symbol status and in 2006 she visited with the prominent demonstration The Cheetah Girls, performing tunes from the principal period of Hannah Montana. While she was selling out arenas as the character from her hit TV appear, Cyrus was likewise working diligently without anyone else music. In an attempt to enable her fans to see past her Disney station picture, Cyrus released the collection Breakout in 2008. The collection was a prompt hit, and commentators recognized Cyrus for her vocal range and capacity ADDIN ZOTERO_ITEM CSL_CITATION citationIDdIwiFswZ,propertiesformattedCitation(Klickstein, 2014),plainCitation(Klickstein, 2014),noteIndex0,citationItemsid400,urishttp//zotero.org/users/local/h6KbaPMu/items/3E4N2CJA,urihttp//zotero.org/users/local/h6KbaPMu/items/3E4N2CJA,itemDataid400,typepost-weblog,titleConnecting with Audiences,container-titleMusiciansWay.com,abstractThe performers who connect from the stage establish emotional relationships with their audiences.,URLhttps//www.musiciansway.com/blog/2014/03/connecting-with-audiences/,languageen-US,authorfamilyKlickstein,givenGerald,issueddate-parts2014,3,4,accesseddate-parts2019,4,21,schemahttps//github.com/citation-style-language/schema/raw/master/csl-citation.json (Klickstein, 2014). She is an epitome of stardom and has not stopped since then.
A critical appraisal of both the case mentioned validate the urgency to disregard the economic inclinations dominating the sphere of stardom. Both the stars share a number of mutual traits by exercising authority over their career and striving toward perfection. These stars constructed a potential engagement with the audience by either exploring innovative avenues in music or reinventing personal image. The progress of their musical careers manifests stability to cultivate the cultural value of their musical texts. Lady Gaga and Miley Cyrus initiated their quest for music from ground zero and were not privileged with additional benefits. Hence, it provides an explicit illustration of the argument that stardom is harnessed through a critical and honoured exploration of self-image, inclinations and persistent hard work. However, a wide range of pop musicians adhere to these traits but struggle to unlock the doors of stardom in true letter and spirits. This calls for an intricate assessment of the aspects which are required in addition to recognizing the passion and striving thoroughly.
Furthermore, stardom is exploited after mastering the techniques of engaging with the audience in a potential manner. Since the audience is vital stakeholders in sanctioning and entitling stardom to a musician, it becomes key to resonate with their culture, inclinations and strike them with a distinguished musical identity. It is worthy to underpin that music is not the only substance required to cultivate the strong bond of affiliation with the audience. At times, musicians tend to permit the musical identities to complex the route to reach the audience. When music is dark, cryptic or artistically inaccessible, it never implies pop musicians must reflect these traits when communicating with the fans ADDIN ZOTERO_ITEM CSL_CITATION citationIDdIwiFswZ,propertiesformattedCitation(Klickstein, 2014),plainCitation(Klickstein, 2014),noteIndex0,citationItemsid400,urishttp//zotero.org/users/local/h6KbaPMu/items/3E4N2CJA,urihttp//zotero.org/users/local/h6KbaPMu/items/3E4N2CJA,itemDataid400,typepost-weblog,titleConnecting with Audiences,container-titleMusiciansWay.com,abstractThe performers who connect from the stage establish emotional relationships with their audiences.,URLhttps//www.musiciansway.com/blog/2014/03/connecting-with-audiences/,languageen-US,authorfamilyKlickstein,givenGerald,issueddate-parts2014,3,4,accesseddate-parts2019,4,21,schemahttps//github.com/citation-style-language/schema/raw/master/csl-citation.json (Klickstein, 2014). Transparent and honoured communication traverse a persistent manner and the notion of becoming distinguished by following the route makes it challenging to resonate with the fans. Harnessing the potential social media platforms, YouTube and live concerts can prove productive to establish a profound musical and cultural identity necessary to unleash the dimensions of stardom.
Likewise, connecting with the audience and knowing the audience are entirely opposite to each other. If a population loves the music, one should never complex the scenario by incorporating robust innovation and uniqueness in the personal image and music. To connect with the audience, it is imperative to place the question as to why they should adhere to your music and honour it in presence of tens of thousands of other pop stars ADDIN ZOTERO_ITEM CSL_CITATION citationIDB8AfKCKK,propertiesformattedCitation(uc0u8220Fans or Friends,uc0u8221 n.d.),plainCitation(Fans or Friends, n.d.),noteIndex0,citationItemsid402,urishttp//zotero.org/users/local/h6KbaPMu/items/88W8UWRZ,urihttp//zotero.org/users/local/h6KbaPMu/items/88W8UWRZ,itemDataid402,typewebpage,titleFans or Friends How Social Media is Changing the Artist-Fan Relationship (Part 2),abstract13 13 Nancy Baym is Associate Professor of Communication Studies at the University of Kansas. She is also an online fandom expert, an author, publ...,URLhttps//bandzoogle.com/blog/fans-or-friends-how-social-media-is-changing-the-artist-fan-relationship-part-2,shortTitleFans or Friends,languageen,accesseddate-parts2019,4,21,schemahttps//github.com/citation-style-language/schema/raw/master/csl-citation.json (Fans or Friends, n.d.). When the pop star establishes a concrete assessment of the likings of the audience and associates them with the cultural context and personal traits, he/she is likely to dominate and accomplish the framework of stardom. Besides, the cultural context and the structural basis of stardom as discussed above also play an instrumental role while shaping the future of a pop star in the industry.
To conclude, stardom is an essential phenomenon harnessed after connecting with the audience potentially, assimilating the structural and cultural context of stardom and striving to explore passion in true letter and spirits. The financial aspect is associated with the process but it is not the only aspiration or objective fuelling the framework of stardom. The case studies deliberated above present empirical evidence to negate the notions of economic process and further affirm the incorporation of the cultural image, determined stature and a distinguished urgency to resonate with the audience. The structural and cultural paradigm of stardom calls for resonating with the identity, spirits and aspirations of the audience and overlooking the financial aspects associated with it. Irrefutably, the financial aspect is never a concern for a star and stardom fuels financial sustainability. It never implies, however, that the route to stardom is traversed to accomplish the financial manifestation only. Striking the audience, adhering to the spirits of strong connection and cultivating the successful advancement based on perseverance and passion also contribute to making a star. To sum up, stardom is not an economic process only as various other aspects contribute toward shaping stars and aspiring to become one.
Bibliography
ADDIN ZOTERO_BIBL uncited,omitted,custom CSL_BIBLIOGRAPHY Fans or Friends How Social Media is Changing the Artist-Fan Relationship (Part 2) WWW Document, n.d. URL https//bandzoogle.com/blog/fans-or-friends-how-social-media-is-changing-the-artist-fan-relationship-part-2 (accessed 4.21.19).
Iddon, M., Marshall, M.L., 2014. Lady Gaga and Popular Music Performing Gender, Fashion, and Culture. Routledge.
Kennedy, V., Gadpaille, M., 2017. Ethnic and Cultural Identity in Music and Song Lyrics. Cambridge Scholars Publishing.
Klickstein, G., 2014. Connecting with Audiences. MusiciansWay.com. URL https//www.musiciansway.com/blog/2014/03/connecting-with-audiences/ (accessed 4.21.19).
r6epkvpuqmd01cg98vrk5iu860---Stars and Auteurs Shuker Roy.pdf, n.d.
The Structural Functions of Stardom in the Recording Industry WWW Document, n.d. URL https//www.researchgate.net/publication/263211686_The_Structural_Functions_of_Stardom_in_the_Recording_Industry (accessed 4.21.19).
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